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Sony Cinema Line Cameras – Interview with Nobutatsu Takahashi-san

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At IBC 2022, we had the chance to speak to Nobutatsu Takahashi-san, a Basic Supervisor at Sony’s Imaging Merchandise & Options Enterprise Group and answerable for the Sony Cinema Line of cameras. On this interview, we be taught in regards to the underlying philosophy of Sony’s Cinema Line and the method the corporate is taking to additional empower filmmakers world wide.

Very apparently, we be taught proper at the start that Sony’s semi-pro {and professional} digital camera traces, the Alpha and the Cinema Line, are each run by one and the identical group of engineers.

It’s not a closed group engaged on the Alpha a7S III, for instance, one other one engaged on the Sony FX9, and yet one more answerable for the top-tier CIne Alta Line (VENICE & VENICE 2), however one massive collaborative group. That’s why we’re seeing increasingly more synergies between the 2 product traces.

One other new product, the FR7 PTZ digital camera, additional enhances this product vary as additionally it is appropriate for broadcast purposes similar to sports activities, reside music, and the like.

Sony Cinema Line at IBC 2022. Picture credit score: CineD

Sony Cinema Line – FX3 vs. a7S III

When the Sony FX3, a Cinema Line product, was first launched, it had lots in widespread with the Alpha a7S III, however lacked the prolonged nonetheless picture performance. In return, it presents a extra streamlined cine expertise to filmmakers who aren’t as curious about nonetheless pictures.

Lately, the FX3 acquired an intensive firmware replace that allows many options that have been beforehand solely obtainable within the higher-end Cinema Line cameras. This naturally begs the query of whether or not the a7S III may even obtain such a characteristic replace. The reply: possibly!

Variable ND Filter

In case you’ve ever labored with the Sony FX 9 (or FS7 II or FX6), you’ll have come to like the digital variable ND filters, I’m sure… I actually have! The query is whether or not this expertise could be utilized to smaller (mirrorless) digital camera our bodies sooner or later. At present, it’s thought of unattainable to suit each an IBIS system and ND filters of any variety in such a small physique, however as Nobutatsu Takahashi-san places it:

Sooner or later, nothing is unattainable.

With that in thoughts, there’s a minimum of hope that we will profit from each, IBIS, AF and e-ND sooner or later!

Computational cinematography

Though Nobutatsu Takahashi-san is considerably obscure on the topic, he hits the nail on the top when stating that computational cinematography is a development that might be unattainable for anybody to disregard. The power to seize extra knowledge and course of that knowledge in numerous methods will take acquisition and post-processing to a brand new degree. After all, optical methods (lenses, sensors, and many others.) nonetheless have their place, however algorithms that make the most of computational enhancements are undoubtedly one thing to keep watch over.

Sony FX6. Picture credit score: CineD

One other benefit is the power to switch the footage on to the cloud or to a pill (aka offloading) for additional modifying immediately on location. Extra highly effective cameras when it comes to computational assets, in fact, assist with that.

FR7 auto-tracking

Since lots of you will have requested this query, we’ve forwarded it: Is it doable to mix the PTZ performance of the FR7 with its AF system? In different phrases, might the digital camera be set as much as not solely observe concentrate on a selected topic, but additionally have the PTZ head observe that topic throughout the panning/tilting vary of the FR7?

Sony Cinema Line
Sony FR7. Picture credit score: Sony

The reply, for now, is: No. However technically, it must be doable. So let’s hope for a software program replace that allows this characteristic, which may very well be very helpful for a digital camera just like the Sony FR7.

Are extra cameras coming?

Presently, the Sony Cinema Line appears to be like like this: FX3, FX6, FX9, then nothing, after which VENICE (VENICE 2). We used to have the F5/F55 as an intermediate. As it’s, Sony nonetheless sees the chance for such intermediate cameras, in between workhorses just like the FX9 and the very high-end VENICE cameras.

picture credit score: CineD

In conclusion, Nobu-san notes that the Sony Cinema Line will not be solely a technology-driven line of {hardware} merchandise, but additionally a dedication. The corporate will all the time take heed to its clients to proceed to enhance and innovate. In consequence, we are going to all see higher cameras that assist create even higher pictures and initiatives.

Hyperlink: Sony Cinema Line web site

What cameras and options would you wish to see from Sony? Share your experiences within the feedback beneath!



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