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Fujifilm X-H2 Evaluate | Pictures Weblog

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Introduction

The Fujifilm X-H2 is a flagship APS-C sensor mirrorless digital camera which was launched in September 2022. Together with the X-H2S mannequin, it successfully replaces the three-year-old X-H1.

The X-H2 has a model new 40.2 megapixel, APS-C sized, X-Trans CMOS 5 HR back-side illuminated (BSI) sensor, the most recent X-Processor 5 picture processing engine, 8K/30p, 6.2K/30p and DCI 4K video recording at as much as 60p in 4:2:0 8-bit internally and 4:2.2 10-bit externally by way of HDMI with recording occasions of as much as 160min, and an prolonged ISO vary of 64-51200.

The XH2 can shoot at 20fps with steady phase-detect auto-focus and auto-exposure when utilizing the digital shutter, utterly blackout-free with a 1.29x crop, and 15fps steady capturing when utilizing the mechanical shutter.

Different key options embody 5-axis in-body picture stabilisation (IBIS) which supplies as much as 7 shutter steps of compensation for stills, a 5.76M-dot OLED digital viewfinder with 0.80x magnification and 120fps refresh price, a tilting 3-inch touchscreen LCD with 1.62-million-dot decision, and twin UHS-II SD and CFexpress Kind B reminiscence card slots.

There are 425 AF factors with part detection pixels throughout all the body (100%) and the auto-focus algorithm has been improved in order that it is 3x quicker and affords higher eye/face detection than the X-T4.

The X-H2 can robotically detect animals, birds, vehicles, bikes, planes and trains because of the X-Processor 5’s AI deep studying capabilities, a function that no Fujifilm digital camera aside from the X-H2S has had earlier than.

The X-H2 is the primary ever X-Sequence digital camera to function Pixel Shift Multi-Shot, which robotically takes 20 photographs to ship 160 megapixel photographs for the final word high quality when element actually issues.

The X-H2 moreover affords an ultra-fast digital shutter that’s able to exposures as much as an unimaginable 1/180000sec, publicity compensation as much as ±5 stops, wi-fi and Bluetooth connectivity, 720-shot battery life and USB-C charging, interval timer capturing, in-camera uncooked conversion, a number of publicity and panoramic capturing modes, and a variety of filter results and movie simulation modes.

The Fujifilm X-H2 is accessible in Black priced at £1899 / $1999 for the digital camera physique solely within the UK and US respectively. The XH2 is manufactured in Japan.

Ease of Use




Fujifilm X-H2

Whereas the X-H2S centered on out-and-out pace with its spectacular 26 megapixel stacked sensor and 40fps steady capturing functionality, the even newer X-H2 concentrates on delivering sheer decision and excessive ranges of element, with a model new 40-megapixel X-Trans CMOS 5 HR sensor making its debut within the Fuji X-series digital camera vary.

This can be a BSI (back-side illuminated) sensor design that has far more of a concentrate on element and determination than out-and-out pace, backed up by the introduction of the Pixel Shift Multi Shot mode which creates 160 megapixel photographs.

The 40 megapixel sensor additionally permits the XH2 to report 8K video, really surpassing the XH2S which may solely report as much as 6K video as a result of it is restricted by its 26 megapixel sensor.

The X-H2 is the primary ever X-Sequence digital camera to function Pixel Shift Multi-Shot, which delivers 160 megapixel photographs for the final word high quality when element actually issues.

Beforehand solely seen on the corporate’s GFX-branded medium-format cameras, within the Pixel Shift Multi-Shot the digital camera data 20 frames, shifting the sensor by 0.5 pixels between every body.

The ensuing photographs are robotically mixed into one DNG RAW file, which may be output to a desired file format utilizing appropriate RAW processing software program.

You might not just like the much less conventional, much less Fuji-like consumer interface or the somewhat eye-watering price-tag, however in order for you the highest-resolution cropped-sensor digital camera in the marketplace, that is the one to spring for.




Fujifilm X-H2

The brand new Fujifilm X-H2 is outwardly completely similar to its sister mannequin, the X-H2S, by way of their exterior design, dimension and weight – every part is identical aside from their nameplates.

Measuring 135.5 x 92.9 x 86.9mm and weighing 660g, the brand new X-H2 is barely smaller however barely heavier than the unique X-H1 (which measures 140 x 97 x 86 mm and 623g) , though not by that a lot. If you happen to’re a long-time consumer of the XH1 than you will not discover an excessive amount of distinction between them in dimension and weight.

What’s going to turn into rapidly obvious, although, is the radically completely different management format of this newest digital camera. Lengthy identified for his or her retro styling and plethora of conventional controls, Fuji have determined to drastically pare again the XH2 interface, a lot in order that it bears little resemblance to its forebear.

Most notably, the basic Fujifilm ISO and Shutter Velocity dials that have been situated on prime of the XH1 have made approach for a lockable, DSLR-like PASM dial on this new mannequin, positioned to the left of the viewfinder.

Along with the PASM and video modes, there’s additionally somewhat curiously a Filter choice and in addition an enormous variety of Customized capturing modes – 7 in reality – which is essentially the most that we have ever seen on any digital camera.

The pondering is you can setup and register this hybrid digital camera in many alternative methods for each stills and video, then rapidly recall them utilizing the capturing mode dial.

It nonetheless stays to be seen how followers react to what’s fairly a radical departure from the standard Fujifilm blueprint, but it surely definitely makes plenty of sense for a digital camera that may probably be used to seize all kinds of topics in all kinds of the way.




Fujifilm X-H2

The X-H2 has a big, sculpted hand-grip on the entrance. You possibly can positively match three fingers on it, perhaps even 4 relying in your hand dimension, along with your little finger naturally curling beneath the underside of the physique. There’s additionally a outstanding grip on the rear of the digital camera in your proper thumb.

A textured faux-leather floor runs across the full width of the digital camera, with two steel eyelets on both aspect of the physique used for connecting the equipped shoulder strap.

Different key adjustments to the X-H-series consumer interface embody the addition of much more Operate buttons, once more meant so as to add as a lot flexibility to the setup of the digital camera as doable, together with the substitute of the MCS dial on the entrance of the X-H1 with an unmarked Operate button on the X-H2.

The rear of the digital camera has additionally been considerably tweaked, with the thumb operated joystick sitting a lot increased than earlier than and the AF On and AE Lock buttons extra conveniently positioned round it.

Over on the suitable of the highest panel, the XH2 retains the very helpful top-panel LCD, but it surely’s now been transfer instantly alongside the viewfinder hump and been joined by a column of ISO, white stability and performance buttons, together with a brand new one-touch video-record button that sits alongside the shutter launch button, which is encircled by the Off/On swap.

Publicity compensation and shutter pace at the moment are set utilizing the entrance and rear command dials somewhat than by way of exterior controls as on the X-H1, with the aperture management dependent upon whether or not the hooked up lens has an aperture ring or not (the vast majority of Fuji’s lenses do) and whether or not it is set to Auto or not.

Total, the X-H2 reminds us of the X-S10, which additionally eschewed Fuji’s customary ISO dial, Shutter Velocity dial and Publicity Compensation dials. These adjustments have been made to that specific digital camera within the pursuit of simplicity and affordability, although, whereas with the X-H2 they have been made to allow the digital camera to be extra versatile and faster to make use of.




Fujifilm X-H2

The X-H2 affords a barely completely different customary sensitivity vary of ISO 125 to ISO 12,800 to the X-H2S, which may be expanded right down to ISO 64 and as much as ISO 51,200. This makes the X-H2 properly suited to low-light capturing, permitting you to hand-hold the digital camera in locations the place you’d often be reaching for a tripod or different assist.

Fuji’s intelligent ISO Auto Management setting lets you set a most sensitivity (as much as 6400) and a minimal shutter pace (1/thirtieth is an effective start line), with the digital camera over-riding your ISO alternative if it thinks you are being too bold while sustaining a shutter pace that will not introduce digital camera shake.

The picture sensor used within the X-H2 is the following technology 40.2 megapixel, APS-C sized, X-Trans CMOS 5 HR back-side illuminated (BSI) sensor, making its debut within the Fuji X-series digital camera vary.

Though it may’t match as much as the headline-grabbing 40fps steady capturing pace provided by the X-H2S and its stacked sensor, the brand new XH2 is definitely no slouch in relation to burst sequences.

The X-H1 was a comparatively quick digital camera when it was launched in 2018, able to capturing at 14fps utilizing the digital shutter or 8fps with the mechanical shutter., however the brand new X-H2 with the X-Processor 5 on-board ups the ante significantly.

As compared, the XH2 can shoot at 20fps when utilizing the digital shutter, utterly blackout-free with steady phase-detect auto-focus and auto-exposure, somewhat than being locked on the first body. Not like the XH2S, a modest 1.29x crop is utilized although. It additionally affords a a lot quicker 15fps steady capturing pace when utilizing the mechanical shutter, this time with none crop.

This makes the X-H2 one of many quickest cameras that Fujifilm have ever made by way of burst capturing, second solely to the X-H2S in reality.




Fujifilm X-H2

Relying in your topic, having the ability to choose from 20 incrementally completely different photographs might imply the distinction between a near-miss and a “excellent” picture, though you will want giant capability, high-speed CFexpress Kind B reminiscence playing cards to take full benefit of the sheer pace on provide.

To assist with capturing the exact second, the X-H2 additionally a intelligent Pre-shot burst capturing mode, with the digital camera continuously filling the buffer whereas your half-press the shutter button, after which maintaining the latest ones taken 0.5-1 seconds earlier than a full press of the shutter button, eliminating any digital camera and human-added delay. Observe that this function solely works with the digital shutter.

Due to its 40 megapixel sensor, the XH2 affords a larger variety of PDAF factors (3.3 million) than the XH2S. Fujifilm say that the brand new mannequin is not fairly as quick at monitoring shifting topics because the X-H2S, although.

The X-H2 really has two sorts of shutter, mechanical and digital. When utilizing its mechanical focal-plane shutter, it has a prime shutter-speed restrict of 1/8000th second in all capturing modes.

There is no built-in ND filter, so if you wish to use a really quick lens in very shiny daylight while utilizing the mechanical shutter, then it is a good suggestion to purchase an precise glass ND filter. The X-H2 has a flash-sync pace of 1/250th second with the mechanical shutter and 1/one hundred and twenty fifth second with the digital shutter.

The X-H2 additionally has a totally silent digital shutter which supplies a a lot, a lot quicker prime shutter pace of 1/180,000th second. This lets you proceed capturing wide-open with quick aperture lenses within the brightest of situations with out having to resort to becoming a glass ND filter or utilizing an exterior flash and lights.




Fujifilm X-H2

To make the digital camera even much less obtrusive, when the digital shutter is chosen, there is a Silent menu choice which turns off the speaker, flash, AF-assist lamp and most significantly the shutter-release sound, immediately making the X-H2 completely suited to extra candid images.

It is all very properly having the ability to report at 20fps, however until the digital camera can rapidly, precisely and reliably concentrate on no matter fast-moving topic you are making an attempt to seize, it is all for nothing.

Fortunately, though the brand new X-H2 has the identical hybrid autofocus system with as much as 425 selectable part detection and and distinction detections factors because the X-H1, X-T4 and X-Pro3 fashions, Fujifilm have made various actually vital enhancements to make it their finest AF system but.

Chief amongst these is the debut of subject-based computational AI, with the XH2 having the ability to robotically detect animals, birds, cars, bikes and bikes, airplanes and practice.

You do need to particularly select which of these you need to observe from the Topic Detection Setting menu, however as beforehand talked about, you’ll be able to simply register completely different settings to the customized modes on the capturing mode dial to keep away from having to continuously dive into the menu.

Turning this function on resulted in a super-high hit price by way of auto-focusing, with the digital camera typically capable of concentrate on the topic earlier than we might even noticed it ourselves.




Fujifilm X-H2

The improved auto-focus algorithm that is stated to be 3x quicker than the X-T4 and significantly the topic detection modes assist to make sure that most of your photographs are sharp.

Additionally serving to to maintain issues sharp is the XH2′ 5-axis in-body picture stabilisation (IBIS) system. The unique X-H1 was the primary ever Fuji mirrorless digital camera to function In-Physique Picture Stabilization (IBIS), and the X-H2 joins it and the X-H2S, X-T4 and X-S10 because the fifth Fuji digital camera to supply it.

And as with most of its different key options, this new mannequin ups the ante significantly. Whereas the X-H1 solely supplied as much as 5.5 shutter steps of compensation for stills, the X-H2 supplies as much as a most of seven stops, 1.5 stops higher and the joint-best of any present Fujifilm digital camera.

Equally, the OLED digital viewfinder on the X-H2 has larger 5.76M-dot decision, bigger 0.80x magnification and a quicker 120fps refresh price than the X-H1, which had a 3.68M-dot EVF with 0.75x magnification and 100fps refresh price.

Maybe extra importantly for a hybrid stills and video digital camera, Fuji have made an essential change to this mannequin’s LCD display. The older X-H1 had a intelligent three-direction tilting LCD display, but it surely did not tilt out to the aspect just like the one on the brand new XH2, which has a totally articulating, vari-angle, 3-inch LCD display with 1.62M-dot decision.

You possibly can flip out the display to the aspect, rotate it forwards for simpler operation when pointing the digital camera at your self, and fold it flat in opposition to the again of the digital camera to cease it from getting scratched, which proves to be a extra versatile display for vlogging, film capturing and images generally.




Fujifilm X-H2

The X-H2S affords a greater video mode than the X-H2 and is unquestionably the one to purchase in the event you’re predominantly a videographer, though this new mannequin definitely provides it a run for its cash predominantly because of its 40 megapixel sensor.

The newer digital camera affords a highest high quality price of 8K/30p with no crop recorded in 4:2:2 10-bit internally for about 160 minutes. The XH2S cannot report in any respect in 8K due to its decrease decision 26 megapixel sensor, topping out at 6K/30p.

Mixed with a suitable HDMI recording system from Atomos or Blackmagic Design, 12-bit RAW video output from the X-H2 may be recorded as Apple ProRes RAW or Blackmagic RAW at resolutions and body charges of as much as 8K and 29.97 frames per second.

The X-H2 additionally includes a digital zoom operate that makes use of the digital camera’s 40.2MP sensor to ship as much as 2x of digital zoom with little to no loss in decision, when recording video in 4K.

Due to its stacked sensor design, the XH2S affords a quicker rolling shutter than the X-H2 (1/180s vs 1/88s in 4K), although, and in addition affords larger dynamic vary (14+ stops versus 13+ on the XH-2). For 8K recording the rolling shutter on the X-H2 is even worse at 1/33s.

Most crucially, the XH2S can report in 4K at as much as 120fps, whereas the X-H2 is restricted to 4K/60p, which for a lot of videographers might be extra essential than having 8K recording.

Each cameras can reap the benefits of a particular fan accent which screws into the again of the digital camera and improves the utmost recording time from 17 to 51 minutes at 40 Celsius.

The X-H2 options each built-in wi-fi and Bluetooth connectivity. The latter choice creates a continuing, low-power connection between the X-H2 and a smartphone/pill to switch photographs and video utilizing the Fujifilm Digital camera Distant smartphone app, whereas the previous lets you remotely management the X-H2 by way of a 2.4Ghz wi-fi connection utilizing a smartphone or pill and the Fujifilm app, and switch photographs and video from one system to the opposite.




Fujifilm X-H2

One other key change to the design of the X-H2 is reminiscence playing cards, particularly the sort that it makes use of somewhat than the quantity. Each the unique X-H1 and this new mannequin have twin reminiscence card slots, however whereas the older mannequin had two UHS-II SD format slots, the X-H2 has one UHS-II SD slot and one CFexpress Kind B slot.

So if you wish to reap the benefits of all of the pace and determination benefits that the XH2 affords, you will must put money into some CFexpress Kind B reminiscence playing cards and doubtless a brand new card reader too, because the digital camera merely cannot shoot and report at its quickest charges in the event you solely use SD playing cards.

Fujifilm have additionally paid shut consideration to the X-H2’s battery life, so that they’ve switched from utilizing the smaller capability NP-W126S battery that the X-H1 used to precisely the identical NP-W235 batteries because the X-T4.

This affords a CIPA-rated battery lifetime of as much as 720 photographs on a single cost in regular mode on the X-H2, with real-life utilization yielding even longer life. The X-H1 was rated at solely 310 photographs.

The XH2 will also be powered and charged by way of a USB-C connection, which is beneficial in the event you’re out and about and have a suitable power-bank to plug the digital camera into.

If you happen to actually need to lengthen the battery life, there is a Vertical Battery Grip (VBG-XH) obtainable for the X-H2 which accepts two NP-W235 rechargeable lithium-ion batteries to increase the life for as much as 1700 frames between recharges.

A steel tripod mount is positioned inline with the centre of the lens and much away from the battery/reminiscence card compartment, so you do not have to take away the digital camera from the tripod to alter the battery or the reminiscence card.

Picture High quality

The entire pattern photographs on this evaluation have been taken utilizing the 40.2 megapixel Positive JPEG setting, which provides a median picture dimension of round 18Mb.

The Fujifilm X-H2 produced photographs of excellent high quality. It data noise-free JPEG photographs from ISO 64 as much as ISO 3200, with slightly noise at ISO 6400 and extra seen noise on the quicker settings of ISO 12800 and 25600 (ISO 51200 is finest prevented), an incredible efficiency for a digital camera with a 40 megapixel APS-C sensor. The RAW information have been additionally wonderful, exhibiting extra noise than their JPEG counterparts however nonetheless producing very usable photographs from ISO 64-6400.

The night time {photograph} was wonderful, with the utmost shutter pace of 30 seconds being lengthy sufficient for many after-dark photographs, and the Bulb mode permitting for much longer exposures if required. The Dynamic Vary and HDR settings subtly enhance element within the shadows and highlights, whereas the in depth vary of Movie Simulation modes hark again to a bygone period, and the Superior Filters will let you have slightly enjoyable along with your photographs in-camera.

Noise

There are 11 full ISO settings obtainable on the Fujifilm X-H2 for JPEGs and RAW information. Listed here are some 100% crops which present the noise ranges for every ISO setting.

File High quality

The Fujifilm X-H2 has 2 completely different picture high quality settings obtainable, with Positive being the very best high quality choice. Listed here are some 100% crops which present the standard of the assorted choices, with the file dimension proven in brackets.

Positive (18Mb) (100% Crop) Regular (9.1Mb) (100% Crop)
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RAW (85.5Mb) (100% Crop)
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Evening

The Fujifilm X-H2’s most shutter pace is 30 seconds within the Time shutter pace mode, and there is a Bulb mode which permits exposures as much as 60 minutes lengthy, which is good news in the event you’re critically fascinated about night time images. The shot beneath was taken utilizing a shutter pace of 15 seconds at ISO 125.

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Pixel Shift Multi Shot

Pixel Shift is a particular Multi-Shot operate that can be utilized to create 160 megapixel photographs!

The digital camera’s built-in IBIS unit is used to shift the picture sensor by as much as a pixel in numerous instructions in the course of the sequence of 20 photographs.

You then must obtain the Pixel Shift Combiner software program from Fujifilm.com, manually choose the 20 information that make up every Pixel Shift shot, and the software program will then robotically mix them right into a single DNG file.

A number of Publicity

The Fujifilm X-H2’s A number of Publicity mode combines as much as 9 completely different photographs collectively in-camera to create one composite picture, with 4 other ways of mixing them – Additive, Common, Shiny, Darkish.

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Dynamic Vary

The Fujifilm X-H2 has three dynamic vary settings – 100% (on by default), 200%, and 400% – and an Auto setting if you wish to let the digital camera take management.

These settings regularly enhance the quantity of element seen within the shadow and spotlight areas, with the side-effect of extra noise showing within the picture. Observe you can’t really flip this function off. All three settings can be found from ISO 500 upwards.

HDR

The Fujifilm X-H2 has a Excessive Dynamic Vary mode with 5 completely different settings – AUTO, 200%, 400%, 800%, 800%+. The digital camera takes three photographs with completely different exposures, altering the shutter pace for every one, after which combining them in-camera.

Movie Simulations

The Fujifilm X-H2 affords 19 completely different movie simulation modes to assist replicate the look of your favorite movie inventory from the previous.

Superior Filters

The Fujifilm X-H2 affords 13 completely different inventive filter results which may be previewed on the LCD display and/or within the EVF earlier than taking a photograph.

Toy Digital camera

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Miniature

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Pop Colour

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Excessive-Key

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Low-Key

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Dynamic Tone

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Delicate Focus

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Partial Colour (Pink)

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Partial Colour (Orange)

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Partial Colour (Yellow)

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Partial Colour (Inexperienced)

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Partial Colour (Blue)

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Partial Colour (Purple)

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Pattern Photos

This can be a choice of pattern photographs from the Fujifilm X-H2 digital camera, which have been all taken utilizing the 40.2 megapixel Positive JPEG setting. The thumbnails beneath hyperlink to the full-sized variations, which haven’t been altered in any approach.

Pattern RAW Photos

The Fujifilm X-H2 permits customers to seize RAW and JPEG format information. We have supplied some Fujifilm RAW (RAF) samples so that you can obtain (thumbnail photographs proven beneath will not be 100% consultant).

Pattern Films & Video

This can be a pattern 8K film on the high quality setting of 7680×4320 pixels at 30 frames per second. Please observe that this 16 second film is 204Mb in dimension.

This can be a pattern 6K film on the high quality setting of 6240×3510 pixels at 60 frames per second. Please observe that this 16 second film is 204Mb in dimension.

This can be a pattern 4K film on the high quality setting of 3840×2160 pixels at 60 frames per second. Please observe that this 16 second film is 204Mb in dimension.

This can be a pattern 4K film on the high quality setting of 3840×2160 pixels at 30 frames per second. Please observe that this 15 second film is 192Mb in dimension.

This can be a pattern slow-motion film on the high quality setting of 1920×1080 pixels at 120 frames per second. Please observe that this 160 second film is 393Mb in dimension.

Product Photos

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Conclusion

2022 is shaping as much as be a giant 12 months for Fujifilm with the launch of not one, however two flagship APS-C cameras within the similar shapes of the speed-centric X-H2S and now the resolution-focused X-H2.

Each fashions signify absolutely the pinnacle of what Fuji can at the moment obtain with an APS-C sensor and, ably supported by a protracted checklist of wonderful lenses, they far surpass what the likes of Canon, Nikon and Sony have to supply with their equal methods.

Certainly, the 2 new X-H fashions are so good that additionally they signify a less expensive, but nonetheless very prime quality various, to their rivals’ full-frame methods, providing comparable ranges of pace and determination with out having to interrupt the financial institution.

The one query for us and extra importantly for you is which mannequin to plump for? The X-H2S affords unimaginable 40fps burst capturing, one of the best video capabilities of any X-series digital camera, and smart 26 megapixel decision.

In the meantime the brand new X-H2 ups the element ante to 40 megapixels, the very best of any APS-C digital camera, impressively with out introducing an excessive amount of noise at increased ISO values, and it additionally affords the cherry on prime of 8K/30p video recording and nonetheless blazing quick 20fps burst capturing, albeit the latter being with a modest 1.29x crop.

Because the X-H2 is similar to the X-H2S aside from their nameplates, you’ll nonetheless must get on-board with their very un-Fuji-like consumer interfaces, at the least till the X-T5 is introduced.

We really assume that the maybe controversially revised management format, with its reliance on operate buttons and customized modes somewhat than shutter pace and ISO dials, is healthier suited to what’s a flexible hybrid digital camera that lends itself to being utilized in a large number of various methods. Your mileage might properly differ although.

If you happen to do not want the excessive decision, higher AF and improved video capabilities of the X-H2, you’ll be able to fortunately save fairly some huge cash by choosing one of many cheaper former flagship fashions such because the X-T4, a deal that’s sweetened even additional in the event you want their extra conventional consumer interfaces.

The X-H2 does have one main benefit over its speedy sibling, particularly worth. The brand new Fujifilm X-H2 is priced at £1899 / $1999 within the UK and USA respectively, making it the second costliest X-series APS-C sensor digital camera ever launched.

That title goes to the Fujifilm X-H2S, which is priced at £2499 / $2499 physique solely. This makes the XH2S a whopping £600 / $500 costlier than the brand new XH2, a distinction that’s primarily pushed by the stacked sensor inside it, which is far more pricey to fabricate than the BSI sensor discovered contained in the X-H2.

In abstract, whereas the X-H2 and X-H2S might look completely similar, because of their sensor applied sciences they’re aimed toward two fairly various kinds of finish consumer, though the previous mannequin’s 8K video mode will muddy the waters slightly for some customers. Each are excellent cameras although – all it’s worthwhile to do is ensure that to choose the suitable one…

5 stars

Scores (out of 5)
Design 4.5
Options 4.5
Ease-of-use 5
Picture high quality 5
Worth for cash 5

Principal Rivals

Listed beneath are a number of the rivals of the Fujifilm X-H2.

The X-H2S is the quickest, most succesful APS-C sensor digital camera that Fujifilm have ever launched, but it surely’s additionally by far the costliest. Discover out precisely what this new flagship digital camera is able to and who it is aimed toward by studying our full Fuji XH2S evaluation full with full-size JPEG, Uncooked and video samples.

The Fujifilm X-T4 is the successor to the very fashionable X-T3, which was launched in 2018, principally including in-body picture stabilisation, significantly improved battery life, a faster and quieter mechanical shutter, enhanced steady AF and various design tweaks. Can the brand new X-T4 enhance on what was already an impressive digital camera? Discover out now by studying our in-depth Fujifilm X-T4 evaluation…

The Z5 is Nikon’s model new entry-level full-frame mirrorless digital camera, sitting beneath the mid-range Z6 and flagship Z7 fashions within the three-camera lineup, and above the APS-C sensor Z50. Designed to compete with the likes of the Canon EOS R, Sony A7 III and Panasonic Lumix S1, does the Z5 have what it takes to face out in an more and more crowded market? Discover out now by studying our in-depth Nikon Z5 evaluation, full with full-size pattern photographs and movies.

The brand new OM-1 flagship is each the final ever Olympus digital camera and the primary ever OM System digital camera. Confused? Nicely no want to fret, as we take an in-depth have a look at what this new Micro 4 Thirds flagship has to supply in our OM System OM-1 evaluation, full with full-size pattern photographs and movies…

The a lot anticipated Panasonic GH6 is lastly right here! However what does this new flagship digital camera provide, and may it actually enhance on the best-selling GH5? We discover out in our evaluation of the Panasonic Lumix GH6 mirrorless digital camera, full with pattern photographs, check photographs, movies and extra…

The brand new Sony Alpha A7 IV is a brand new 33 megapixel, 4K/60p video, 10fps burst capturing, cutting-edge auto-focusing hybrid full-frame mirrorless mannequin that pulls no punches in its bid to be the one digital camera that you just want. Discover out why we predict this is among the finest all-round cameras of 2021 by studying our in-depth Sony A7 IV evaluation…

Specs

Mannequin title FUJIFILM X-H2
Lens Mount FUJIFILM X mount
Picture sensor 23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HR with major coloration filter
Variety of efficient pixels 40.2 thousands and thousands pixels
Sensor Cleansing System Extremely Sonic Vibration
Picture Processing Engine X-Processor 5
Storage media SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Velocity Class V90 / CFexpress Kind B Card (-2TB)

*Please verify Compatibility for extra element.
*Please verify the checklist of the operation confirmed CFexpress Kind B Card

File format of nonetheless picture DCF Compliant with Design rule for Digital camera File system (DCF2.0)
JPEG Exif Ver.2.32*1
HEIF 4:2:2 10bit
RAW 14bit RAW (RAF authentic format)
TIFF 8bit / 16bit RGB (In-camera Uncooked Conversion Solely)
Variety of recorded pixels [L] 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432×5152
[M] 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560×3648
[S] 〈4:3〉 3464 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264×2592
Panorama [L] 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440
[M] 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440
Digital Tele-Converter 2.0x / 1.4x / OFF
Sensitivity Nonetheless Picture Normal Output: AUTO1 / AUTO2 / AUTO3 /ISO125-12800 (1/3 step)
Prolonged Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200
Film Normal Output: AUTO / ISO125-12800 (1/3 step)
Prolonged Output: ISO25600
Publicity management TTL 256-zone metering / Multi / Spot / Common / Heart Weighted
Publicity mode P (Program AE) / A (Aperture Precedence AE) / S (Shutter Velocity Precedence AE) / M (Guide Publicity)
Publicity compensation Nonetheless -5.0EV – +5.0EV 1/3EV step
Film -2.0EV – +2.0EV 1/3EV step
Picture stabilizer Mechanism Picture sensor shift mechanism with 5-axis compensation
Compensation Impact 7.0 stops
*primarily based on CIPA customary
*Pitch/yaw shake solely
*With XF35mmF1.4 R lens mounted
Digital Picture Stabilization Sure (film mode solely)
IS MODE BOOST Sure (film mode solely)
Shutter sort Focal Airplane Shutter
Shutter pace Mechanical shutter P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: as much as 60min.
Digital shutter P mode: 4sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Mounted
Digital entrance curtain shutter P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: as much as 60min.
Mechanical + Digital shutter P mode: 4sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: as much as 60min.
*Mechanical shutter works till 1/8000sec.
E-front + Mechanical shutter P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: as much as 60min.
*Digital entrance curtain shutter works till 1/2000sec.
E-front + Mechanical + Digital shutter P mode: 4sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: as much as 60min.
*Digital entrance curtain shutter works till 1/2000sec, Mechanical shutter works till 1/8000sec.
*The Digital Shutter will not be appropriate for fast-moving objects or handheld capturing. Flash can’t be used.
Film 8K: 1/8000sec. to 1/24 sec. 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec.
*Can’t select slower shutter pace than framerate for some settings.
Synchronized shutter pace for flash Mechanical shutter: 1/250sec. or slower
Digital shutter: 1/125sec. or slower
Steady capturing CH Digital shutter Approx. 20fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 202 frames, Compressed RAW + JPEG 129 frames, Lossless compressed RAW + JPEG 95 frames, Uncompressed RAW + JPEG 90 frames)

CH Digital shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW + JPEG 372 frames, Lossless compressed RAW + JPEG 361 frames, Uncompressed RAW + JPEG 223 frames)

CH Digital shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW + JPEG 1000+ frames, Lossless compressed RAW + JPEG 1000+ frames, Uncompressed RAW + JPEG 1000+ frames)

CH Digital shutter Approx. 13fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 131 frames, Lossless compressed RAW+JPEG 131 frames, Uncompressed RAW+JPEG 127 frames)

CH Digital shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 769 frames, Lossless compressed RAW+JPEG 751 frames, Uncompressed RAW+JPEG 302 frames)

CH Mechanical shutter Approx. 15fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 400 frames, Compressed RAW+JPEG 110 frames, Lossless compressed RAW+JPEG 108 frames, Uncompressed RAW+JPEG 104 frames)

CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 512 frames, Lossless compressed RAW+JPEG 492 frames, Uncompressed RAW+JPEG 223 frames)

CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 1000+ frames, Lossless compressed RAW+JPEG 1000+ frames, Uncompressed RAW+JPEG 1000+ frames)

Pre-shot Digital shutter Approx. 20fps (1.29x Crop) (Whereas half press 20 frames, After full press 1000+ frames)
Pre-shot Digital shutter Approx. 13fps (1.29x Crop) (Whereas half press 13 frames, After full press 1000+ frames)
Pre-shot Digital shutter Approx. 10fps (1.29x Crop) (Whereas half press 10 frames, After full press 1000+ frames)
Pre-shot Digital shutter Approx. 13fps (Whereas half press 13 frames, After full press 1000+ frames)

*No. of recordable frames are calculated primarily based on CFexpress Kind B card in a chilly begin
*Recordable frames is dependent upon recording media
*Velocity of steady capturing is dependent upon capturing surroundings and capturing frames

Drive Mode AE Bracketing 2 frames / 3 frames / 5 frames / 7 frames / 9 frames
*by 1/3EV step, as much as ±3EV steps
Movie Simulation Bracketing Any 3 sorts of movie simulation selectable
Dynamic Vary Bracketing 100% / 200% / 400%
ISO sensitivity Bracketing ±1/3EV / ±2/3EV / ±1EV
White Stability Bracketing ±1 / ±2 / ±3
Focus Bracketing AUTO / MANUAL
A number of Publicity Sure (Max. 9 frames) / Additive / Common / Shiny / Darkish
HDR Mode AUTO / 200% / 400% / 800% / 800% +
Superior Filter Toy digital camera / Miniature / Pop coloration / Excessive-key / Low-key / Dynamic tone / Delicate focus / Partial coloration (Pink / Orange / Yellow / Inexperienced / Blue / Purple)
Pixel Shift Multi Shot Sure
Focus Mode Single AF / Steady AF / MF
Kind Clever Hybrid AF (TTL distinction AF / TTL part detection AF)
Low-light Efficiency Distinction: -4.0EV XF50mmF1.0 hooked up
Part Detection: -7.0EV XF50mmF1.0 hooked up
AF body choice Single level AF: 13×9 / 25×17 (Changeable dimension of AF body)
Zone AF: 3×3 / 5×5 / 7×7 from 117 areas on 13×9 grid
Broad/Monitoring AF: Sure (AF-S: Broad / AF-C: Monitoring)
All: Sure
Face/eye detection Sure
Topic detection Sure (Animal/Fowl/Car/Motorbike&Bike/Airplane/Practice)
Flash EF-X8 Information Quantity: approx. 11 (ISO200・m) / approx. 8 (ISO100・m)
Sync. Mode: 1st Curtain / 2nd Curtain
Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF
Shoe mount flash Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS)
Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is about / OFF
Synchronized terminal Sync. Mode: 1st Curtain / 2nd Curtain
Flash Mode: MANUAL
Sizzling shoe Sure (Devoted TTL Flash suitable)
Viewfinder EVF: 0.5 inch OLED Colour Viewfinder, Approx. 5.76 million dots
Protection of Viewing Space vs. Capturing Space: Approx. 100%
Eyepoint: Approx. 24mm (from the Rear Finish of the Digital camera’s Eyepiece)
Diopter Adjustment: -5~+3m-1
Magnification: 0.80x with 50mm Lens (35mm Equal) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: approx. 40° (Horizontal angle of view: approx. 32° )
Constructed-In Eye Sensor
LCD monitor 3.0 inch vari-angle Contact Display Colour LCD Monitor
Facet Ratio: 3:2
Dots: Approx. 1.62 million dots
Contact Display Mode Capturing Mode Capturing, AF, Focus Space, OFF, Double Faucet Setting (ON/OFF), Contact Operate Setting (ON/OFF), Contact Zoom (ON/OFF), EVF Contact Display Space Setting
Playback Mode Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD monitor 1.28 inch Monochrome LCD Monitor
Facet Ratio: 1:1
Dots: 128×128-dot
Film recording File format MOV:
Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MP4:
MPEG-4 AVC/H.264, AAC
Film compression All Intra / Lengthy GOP
File dimension

Body price

Bitrate
[8K(16:9)] 7680 x 4320 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording)
[Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording)

*For recording films, use a CFexpress Kind B card or SD reminiscence card with UHS Velocity Class 3 or increased.
*For recording films in 360Mbps, use a CFexpress Kind B card or SD reminiscence card with Video Velocity Class 60 or increased.
*For recording films in 720Mbps, use a CFexpress Kind B card or SD reminiscence card with Video Velocity Class 90 or increased.
*Selectable bitrate might be modified is dependent upon the setting.
*Apple ProRes codec may be solely recorded to CFexpress Kind B card
*Bitrate for Apple ProRes codec is just not selectable.
*Recording time can turn into brief relying on the temperature and/or capturing situations

Movie simulation mode 19 modes (PROVIA/Normal, Velvia/Vivid, ASTIA/Delicate, Basic Chrome, PRO Neg.Hello, PRO Neg.Std, Basic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Monochromatic Colour Sure
Grain Impact Roughness STRONG, WEAK, OFF
Measurement LARGE, SMALL
Colour Chrome Impact STRONG, WEAK, OFF
Colour chrome Blue STRONG, WEAK, OFF
Easy Pores and skin Impact STRONG, WEAK, OFF
Dynamic vary setting Nonetheless AUTO / 100% / 200% / 400%
ISO restriction: DR100%: No restrict、DR200%: ISO250 or extra、DR400%: ISO500 or extra
Film 100% / 200% / 400%
ISO restriction: DR100%: No restrict、DR200%: ISO250 or extra、DR400%: ISO500 or extra
White stability Auto White Precedence / Auto / Atmosphere Precedence
Customized Custom1 – 3
Colour temperature choice 2500K-10000K
Preset Daylight / Shade / Fluorescent Gentle-1 / Fluorescent Gentle-2 / Fluorescent Gentle-3 / Incandescent Gentle / Underwater
Readability setting ±5 steps
Self-timer 10sec. / 2sec.
Interval timer capturing Sure (Setting : Interval, Variety of photographs, Beginning time, Interval timer capturing publicity smoothing)
Wi-fi transmitter Normal IEEE802.11a/b/g/n/ac (customary wi-fi protocol)
Encryption WPA/WPA2 combined mode, WPA3
Entry mode Infrastructure
Bluetooth® Standartd Bluetooth Ver. 4.2 (Bluetooth low power)
Working frequency (Heart frequency) 2402 – 2480MHz
Terminal Digital interface USB Kind-C (USB3.2 Gen2x1)
HDMI output HDMI connector (Kind A)
Others ø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Distant Launch Connector
Sizzling shoe
Synchronized terninal
Energy provide NP-W235 Li-ion battery (included)
Battery life for nonetheless photographs*2 Financial system Mode: Approx. 680 frames
Regular Mode: Approx. 540 frames
*When XF35mmF1.4 R is about
Precise battery lifetime of film seize*2 8K: Approx. 70min. (29.97p)
4K: Approx. 75min. (59.94p)
Full HD: Approx. 85min. (59.94p), Approx. 90min. (120P)
*Face detection is about to OFF
Continuance battery lifetime of film seize*2 8K: Approx. 100min. (29.97p)
4K: Approx. 120min. (59.94p)
Full HD: Approx. 140min. (59.94p)
*Face detection is about to OFF
Dimensions Width: 136.3mm
Peak: 92.9mm
Depth: 84.6mm
(Minimal Depth: 42.8mm)
Weight together with battery and reminiscence card: Approx. 660g
excluding battery and reminiscence card: Approx. 579g
Operation Setting Working Temperature -10℃ – +40℃
Working Humidity 10% – 80% (no condensation)
Beginning up interval Approx. 0.49sec.
Equipment included Li-ion battery NP-W235
AC energy adapter AC-5VJ
Plug adapter
USB cable
Shoulder strap
Physique cap
Sizzling shoe cowl
File transmitter/vertical battery grip connector cowl
Reminiscence card slot cowl
Sync terminal cowl
Cooling fan connector cowl
Cable protector
Proprietor’s guide
  • *1 Exif 2.32 is a digital digital camera file format that comprises a wide range of capturing data for optimum printing
  • *2 Approximate variety of frames or film recording time that may be taken with a fully-charged primarily based on CIPA Normal.

Film Specification

Media Rec (CFexpress Kind B card / SD reminiscence card)

Decision/Facet Measurement Body price File format/Compression Bit price*2 Bit depth HDMI outupt
Decision(Body price)/Sampling/Bit depth
Crop Magnification
DIS ON DIS OFF
8K 16:9 7680 x 4320 29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1 3520Mbps(29.97p)*3 10bit FHD 4:2:2 10bit*4 Not
doable
1.0x
ProRes 422 MOV*1 2352Mbps(29.97p)*3
ProRes 422 LT MOV*1 1632Mbps(29.97p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
FHD 4:2:2 10bit (When H.265 All-Intra 4:2:2 MOV chosen)*4
4K 4:2:2 10bit (When H.265 All-Intra 4:2:0 MOV chosen)*4
Not
doable
1.0x
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
FHD 4:2:2 10bit (When H.265 Lengthy GOP 4:2:2 MOV chosen)*4
4K 4:2:2 10bit (When H.265 Lengthy GOP 4:2:0 MOV chosen)*4
Not
doable
1.0x
6.2K 16:9 6240 x 3510 29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1 2324Mbps(29.97p)*3 10bit FHD 4:2:2 10bit*4 Not
doable
1.0x
ProRes 422 MOV*1 1553Mbps(29.97p)*3
ProRes 422 LT MOV*1 1077Mbps(29.97p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
FHD 4:2:2 10bit (When H.265 All-Intra 4:2:2 MOV chosen)*4
4K 4:2:2 10bit (When H.265 All-Intra 4:2:0 MOV chosen)*4
Not
doable
1.0x
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
FHD 4:2:2 10bit (When H.265 Lengthy GOP 4:2:2 MOV chosen)*4
4K 4:2:2 10bit (When H.265 Lengthy GOP 4:2:0 MOV chosen)*4
Not
doable
1.0x
DCI4K HQ 17:9
4K HQ 16:9
4096 x 2160
3840 x 2160
29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1 939Mbps(DCI 4K 29.97p)*3 10bit DCI4K/4K 4:2:2 10bit Not
doable
1.0x
ProRes 422 MOV*1 627Mbps(DCI 4K 29.97p)*3
ProRes 422 LT MOV*1 435Mbps(DCI4K 29.97p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
Not
doable
1.0x
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
Not
doable
1.0x
H.264 All-Intra 4:2:0 MOV 360Mbps 8bit DCI4K/4K 4:2:2 8bit Not
doable
1.0x
H.264 Lengthy GOP 4:2:0 MOV
H.264 Lengthy GOP 4:2:0 MP4
360Mbps
200Mbps
100Mbps
50Mbps
Not
doable
1.0x
DCI4K 17:9
4K 16:9
4096 x 2160
3840 x 2160
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1 1877Mbps(DCI4K 59.94p)*3 10bit DCI4K/4K 4:2:2 10bit Not
doable
59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
ProRes 422 MOV*1 1254Mbps(DCI4K 59.94p)*3
ProRes 422 LT MOV*1 870Mbps(DCI4K 59.94p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.264 All-Intra 4:2:0 MOV 360Mbps 8bit DCI4K/4K 4:2:2 8bit 1.1x 1.0x
H.264 Lengthy GOP 4:2:0 MOV
H.264 Lengthy GOP 4:2:0 MP4
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 1.0x
FHD 17:9
FHD 16:9
2048 x 1080
1920 x 1080
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1 440Mbps(FHD16:9 59.94p)*3 10bit FHD 4:2:2 10bit*5 Not
doable
59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
ProRes 422 MOV*1 294Mbps(FHD16:9 59.94p)*3
ProRes 422 LT MOV*1 204Mbps(FHD16:9 59.94p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.264 All-Intra 4:2:0 MOV 360Mbps 8bit FHD 4:2:2 8bit*5 1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.264 Lengthy GOP 4:2:0 MOV
H.264 Lengthy GOP 4:2:0 MP4
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
Excessive pace
FHD 17:9
FHD 16:9
2048 x 1080
1920 x 1080
240fps(4×/8×/10×)
200fps(4×/8×)
120p (2x/4x/5x)
100p (2x/4x)
ProRes 422 HQ MOV*1 1760Mbps
(when recording FHD16:9 240p)*3
10bit FHD(59.94p) 4:2:2 10bit*6 Not
doable
1.23x
ProRes 422 MOV*1 1176Mbps
(when recording FHD16:9 240p)*3
ProRes 422 LT MOV*1 816Mbps
(when recording FHD16:9 240p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps (when recording)
360Mbps (when recording)
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
720Mbps (when recording)
360Mbps (when recording)
200Mbps (when recording)
H.264 All-Intra 4:2:0 MOV 360Mbps (when recording) 8bit FHD(59.94p) 4:2:2 8bit*6
H.264 Lengthy GOP 4:2:0 MOV
H.264 Lengthy GOP 4:2:0 MP4
360Mbps (when recording)
200Mbps (when recording)

HDMI Output

Decision/Facet Measurement Body price HDMI outupt
Decision/Sampling/Bit depth
Crop Magnification
DIS ON DIS OFF
8K 16:9 7680 x 4320 29.97p
25.00p
24.00p
23.98p
8K 4:2:2 10bit Not
doable
1.0x
6.2K 16:9 6240 x 3510 29.97p
25.00p
24.00p
23.98p
FHD 4:2:2 10bit*4 Not
doable
1.0x
DCI4K HQ 17:9
4K HQ 16:9
4096 x 2160
3840 x 2160
29.97p
25.00p
24.00p
23.98p
DCI4K/4K 4:2:2 10bit Not
doable
1.0x
DCI4K 17:9
4K 16:9
4096 x 2160
3840 x 2160
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
DCI4K/4K 4:2:2 10bit 1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
FHD 17:9
FHD 16:9
2048 x 1080
1920 x 1080
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
FHD 4:2:2 10bit *5 1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x

HDMI Output (Excessive pace REC HDMI ONLY)

Decision/Facet Measurement Body price HDMI outupt
Decision(Body price)/Sampling/Bit depth
Crop Magnification
DIS ON DIS OFF
FHD 16:9 1920 x 1080 120p
100p
FHD(120p/100p) 4:2:2 10bit 不可 1.23x

HDMI RAW Output

Decision/Facet Measurement Body price Crop Magnification
DIS ON DIS OFF
8K 16:9 7680 x 4320 29.97p
25.00p
24.00p
23.98p
不可 1.0x
  • *1 ProRes codec may be recorded to solely CFexpress Kind B card
  • *2 Bit price might be modified depend upon the topic
  • *3 Bit price for ProRes codec can’t be chosen
  • *4 The decision from HDMI output is completely different from chosen setting
  • *5 When the facet ratio is just not 16:9, the picture is output in 16:9 with a black band.
  • *6 The body price from HDMI output is completely different from chosen setting

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