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In these transient however unbelievable movies, award-winning cinematographer Claudio Miranda discusses behind-the-scenes footage, logistics, and shares tales from the set of the 2022 blockbuster High Gun: Maverick.
The sequel to the massively well-liked 1986 unique movie took so lengthy to be made as a result of the workforce particularly needed to attend till the expertise was accessible to seize all of it with sensible results. As Miranda says within the video: “This isn’t inexperienced display screen nonsense.”
He explains how a number of the cameras have been rigged in “actually unattainable locations,” which he says required the lenses concerned to be of unbelievable high quality whereas additionally being very compact. Since High Gun was extra about lengthy lenses, Miranda opted to make use of the Premiere 75-400mm T2.8-3.8 “in all places.”
Whereas many smaller cameras and lenses like Zeiss Loxia and Voigtländer have been used for the close-up and in-cockpit pictures, to seize the motion and quick movement of the Fighter Jets, the cinematographers needed to maintain issues shot with lengthy zoom lenses.
“We needed to be acrobatic, we needed to get the jet down low. We needed to have the ability to financial institution in corners and pull all these severe Gs on the whole lot after which simply present that within the film,” he explains.
This meant capturing ground-to-air and air-to-air all in 4K utilizing the Sony Venice digicam. Due to a protracted lens, they may construct all types of nice foreground components coming by means of the body.
As a result of measurement of the gimbal rigs and enclosures, the cinematography workforce was restricted within the area they needed to work with for lens selections, which they are saying led them to make use of Fujinon lenses as the first alternative. Over the course of the movie, the workforce leveraged quite a lot of Cabrio, Premier, and Premista lenses from Fujinon together with the Premista 28-100mm T2.9, Premier 14.5-45mm T2.0, Premier 18-85mm T2.0, Premier 24-180mm T2.6, Premier 75-400mm T2.8-3.8, Cabrio 19-90mm T2.9, Cabrio 20-120mm T3.5, Cabrio 85-300mm T2.9-4.0, and the Cabrio 25-300mm T3.5-3.85.
Miranda says he was very impressed with the lenses.
“[There is no] oddball barrel distortion once you’re zooming and there’s no vignetting, there’s no softening towards the perimeters. It’s all simply straight and maintains its discipline of view all through the zoom vary,” he explains.
The workforce additional particulars how the lenses additionally carried out exceptionally effectively in low gentle situations the place different lenses “form of crumble on the broad finish being lit at these ranges.”
When requested about upkeep and serviceability problems with the lenses, throughout the board the workforce mentioned that they had no clue about something on that subject, as they merely didn’t have these issues with the Fujinon lenses stating they by no means needed to cease capturing and ship one again for service.
High Gun: Maverick is a real love letter to aviation, and the behind-the-scenes video exhibits simply how a lot preparation, ability, and teamwork it took to make the completed product.
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